30 Best Songs About Missing Someone, Ranked by Chart Success and Staying Power



From Sinéad O'Connor's grief-soaked cover of a Prince deep cut to Olivia Rodrigo crying behind the wheel, songs about missing someone are some of the most-streamed music on the planet. This ranking skips the mood-board approach and sorts 30 longing songs by Hot 100 and UK chart peaks, weeks at No. 1 or RIAA certification, and whether they're still in rotation today.
From Sinéad O'Connor's devastating 1990 reading of a Prince deep cut to Olivia Rodrigo crying behind the wheel in 2021, songs about missing someone keep landing at No. 1 decades apart, but plenty of staples on generic mood-board playlists barely charted at all, or disappeared from rotation within a few years. This ranking uses real Billboard, Official Charts, and RIAA data to separate the best songs about missing someone that actually moved the needle from the ones that just sound familiar.
What Makes a "Missing You" Song Actually Chart
To rank 30 songs about missing someone, we built the list around three measurable criteria. First, peak position on the Billboard Hot 100 or the UK Official Singles Chart. Second, weeks spent at No. 1, or the RIAA certification tier the single eventually reached. Third, and the one generic listicles skip, whether the song still shows up in measurable airplay or streaming today, years or decades after release. A track has to clear a real bar on all three to land in the top half of this list; reputation on a mood board doesn't count.
The Full Ranking: Peak vs. Staying Power
| Rank | Song | Artist | Year | Peak Chart Position | Weeks at No. 1 / Certification | Still in Rotation? |
|---|---|---|---|---|---|---|
| 30 | Back to December | Taylor Swift | 2010 | US #6 | Platinum | Fading — overshadowed by Swift's bigger singles |
| 29 | Walk On By | Dionne Warwick | 1964 | US #6 | Uncertified (pre-single-RIAA era) | Niche — lives on through jazz-standard covers |
| 28 | If | Bread | 1971 | US #7 | Uncertified (pre-single-RIAA era) | Niche — soft-rock deep cuts only |
| 27 | I Miss You | Blink-182 | 2004 | US #26 | Gold | Niche — pop-punk playlist cut, limited radio |
| 26 | Jar of Hearts | Christina Perri | 2011 | US #16 | Platinum (multi) | Fading — talent-show residual streams only |
| 25 | You're Still the One | Shania Twain | 1998 | US #2 | Platinum | Fading — country-recurrent, limited pop rotation |
| 24 | Without You | Mariah Carey | 1994 | US #3 / UK #1 | Gold | Fading — overshadowed by the Nilsson original's legacy |
| 23 | Wind Beneath My Wings | Bette Midler | 1989 | US #1 | 1 week at No. 1 · Platinum | Niche — mostly tribute/funeral-song use now |
| 22 | Waiting for a Girl Like You | Foreigner | 1981 | US #2 (10 weeks) | Gold | Fading — classic-rock catalog cut |
| 21 | All Out of Love | Air Supply | 1980 | US #2 | Gold | Fading — soft-rock oldies only |
| 20 | Hello | Lionel Richie | 1984 | US #1 | 2 weeks at No. 1 · Platinum | Fading — nostalgia and meme clips |
| 19 | Total Eclipse of the Heart | Bonnie Tyler | 1983 | US #1 | 4 weeks at No. 1 · Platinum | Fading — karaoke/meme staple more than radio hit |
| 18 | Against All Odds (Take a Look at Me Now) | Phil Collins | 1984 | US #1 | 3 weeks at No. 1 · Gold | Fading — soft-rock throwback stations |
| 17 | Missing You | John Waite | 1984 | US #1 | 1 week at No. 1 · Gold | Fading — '80s nostalgia blocks only |
| 16 | Miss You | The Rolling Stones | 1978 | US #1 | 1 week at No. 1 · Gold | Fading — classic-rock radio only |
| 15 | Somebody That I Used to Know | Gotye feat. Kimbra | 2012 | US #1 | 8 weeks at No. 1 · Diamond | Fading — viral-era hit, lighter rotation now |
| 14 | I Can't Make You Love Me | Bonnie Raitt | 1991 | US #18 | Gold | Yes — kept alive mainly through covers |
| 13 | All of Me | John Legend | 2013 | US #1 | 3 weeks at No. 1 · Diamond | Yes — wedding-playlist mainstay |
| 12 | Stay With Me | Sam Smith | 2014 | US #2 | Multi-Platinum · Grammy Song of the Year | Yes — still a top streaming ballad |
| 11 | If I Ain't Got You | Alicia Keys | 2003 | US #4 | Platinum · Grammy winner | Yes — R&B radio staple two decades on |
| 10 | (Sittin' On) The Dock of the Bay | Otis Redding | 1968 | US #1 | 4 weeks at No. 1 · Gold | Yes — soul-radio and streaming perennial |
| 9 | One Sweet Day | Boyz II Men & Mariah Carey | 1995 | US #1 | 16 weeks at No. 1 · Platinum | Yes — R&B rotation staple |
| 8 | Nothing Compares 2 U | Sinéad O'Connor | 1990 | US #1 | 4 weeks at No. 1 · Platinum | Yes — but her only US Top 40 hit |
| 7 | My Heart Will Go On | Celine Dion | 1997 | US #1 | 2 weeks at No. 1 · Diamond | Yes — perennial streaming spikes every awards season |
| 6 | Someone Like You | Adele | 2011 | UK #1 / US #1 | 5 weeks at No. 1 (UK) · Diamond (US) | Yes — 100M+ UK streams a year and counting |
| 5 | I'll Be Missing You | Puff Daddy, Faith Evans & 112 | 1997 | US #1 | 11 weeks at No. 1 · Platinum | Yes — tribute-song standard, still streams heavily |
| 4 | Un-Break My Heart | Toni Braxton | 1996 | US #1 | 11 weeks at No. 1 · Platinum | Yes — one of the biggest '90s Hot 100 hits |
| 3 | End of the Road | Boyz II Men | 1992 | US #1 | 13 weeks at No. 1 · Platinum | Yes — R&B radio and Grammy-era nostalgia |
| 2 | drivers license | Olivia Rodrigo | 2021 | US #1 (No. 1 in 25 countries) | 8 weeks at No. 1 · 6x Platinum | Yes — 2.8B+ Spotify streams and climbing |
| 1 | I Will Always Love You | Whitney Houston | 1992 | US #1 | 14 weeks at No. 1 · Diamond | Yes — streaming and film-soundtrack staple |
30–16: Longing Songs That Charted but Didn't Stay
The back half of this ranking is full of songs about missing someone that genuinely earned their chart peaks: six of the fifteen entries from No. 30 to No. 16 hit No. 1 on the Hot 100 at some point. The Rolling Stones' "Miss You," John Waite's literally-titled "Missing You," Phil Collins' "Against All Odds," Bonnie Tyler's "Total Eclipse of the Heart," Lionel Richie's "Hello," and Bette Midler's "Wind Beneath My Wings" all topped the chart between 1978 and 1989. Chart peak isn't the dividing line here. Longevity is. These songs now live almost entirely in classic-rock blocks, karaoke nights, and meme clips rather than active streaming rotation. Even Shania Twain's country-pop crossover "You're Still the One," a Platinum No. 2 hit in 1998, gets more play on country recurrent lists than pop radio today. Christina Perri's "Jar of Hearts" and Blink-182's "I Miss You" show the same pattern a generation later: real chart peaks, thinner legacies.
15–6: Missing-You Records With Real Staying Power
This tier is where chart peak and catalog longevity start lining up. Adele's "Someone Like You" spent five weeks at No. 1 on the UK Official Singles Chart in 2011 and became the UK's best-selling single of that year, with 1.24 million copies sold. It's still logging well over a million UK streams a week more than a decade later. Celine Dion's "My Heart Will Go On" and Boyz II Men and Mariah Carey's record-setting, 16-week No. 1 "One Sweet Day" show the same pull: massive chart runs that never really left airplay. Otis Redding's posthumous No. 1 "(Sittin' On) The Dock of the Bay" has done the same job for soul radio since 1968.
Alicia Keys' "If I Ain't Got You" belongs here too, a Platinum, Grammy-winning US #4 hit from 2003 that still anchors R&B radio two decades later.
Sam Smith's "Stay With Me" and John Legend's "All of Me" prove the pattern holds in the streaming era; so does Gotye's "Somebody That I Used to Know." Bonnie Raitt's "I Can't Make You Love Me" stays alive almost entirely through cover versions rather than its modest US #18 peak.
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Top 5: The Longing Songs That Never Left Rotation
Five songs on this list combine a multi-week No. 1 run with top-tier certification and streaming numbers that haven't slowed down.
Whitney Houston's "I Will Always Love You" spent 14 weeks at No. 1 in late 1992, breaking the record set by Boyz II Men's own 13-week run with "End of the Road," the song that became the anthem of the Boomerang soundtrack and later won two Grammys for Best R&B Song and Best R&B Performance by a Duo or Group. Toni Braxton's "Un-Break My Heart" logged 11 weeks at No. 1 in 1996 and still ranks No. 3 on Billboard's all-time Top 20 Hot 100 hits of the 1990s. Puff Daddy, Faith Evans, and 112's "I'll Be Missing You" also spent 11 weeks at No. 1 in 1997 and remains the genre's definitive tribute single. And Olivia Rodrigo's "drivers license" did all of this in the TikTok era: eight weeks at No. 1, No. 1 in 25 countries, six-times Platinum, and over 2.8 billion Spotify streams, enough to land it on Rolling Stone's 500 Greatest Songs of All Time list.
From Sinéad to Olivia: How 'Missing You' Changed Sound Across Four Decades
Thirty-one years separate Sinéad O'Connor's "Nothing Compares 2 U" and Olivia Rodrigo's "drivers license." O'Connor's version (a cover of a 1985 Prince and the Family deep cut that was never released as a single) reimagined a lyric written from the perspective of a desperate lover as a meditation on grief, recorded in a moodier key and carried by a performance that made the song's famous music-video tear feel unplanned. It hit No. 1 on the Billboard Hot 100 on April 21, 1990, and stayed there for four weeks.
Rodrigo's "drivers license" strips the torch-ballad drama down to a minimalist, piano-led bedroom-pop arrangement (kick drums, syncopated hand-claps, a dreamy bridge) built around diaristic songwriting rather than a string section, the kind of approach we've traced through her career before. Between those two records runs much of the shift from torch-ballad covers to confessional pop songwriting, the mode that still shapes how missing someone gets written about.
R&B and Soul's Long Lock on the Missing-You Charts
Six of this list's top fifteen songs come from R&B and soul artists, and that's not a coincidence: the genre has owned the "staying power" half of this ranking since the 1960s. Otis Redding's "(Sittin' On) The Dock of the Bay" set the template: a quiet, unresolved ache that still gets both soul-radio and streaming play. His catalog is full of smaller companion pieces in the same register, like the understated devotion of "Cigarettes and Coffee."
Boyz II Men turned that same template into two separate record-breaking No. 1 runs: 13 weeks with "End of the Road" in 1992, then 16 weeks with "One Sweet Day" alongside Mariah Carey in 1995, at the time the two longest No. 1 reigns in Hot 100 history. Toni Braxton's "Un-Break My Heart" and Faith Evans' half of "I'll Be Missing You" extended the same lineage through the back half of the '90s; Evans' solo catalog, including tracks like "You Gets No Love," kept mining the same ache for years after.
You Gets No Love (feat. P. Diddy & Loon)
Faith Evans · 2001
If you want to test your ear against that lineage, LaLaQuiz's R&B / Soul quiz runs 30-second clips from exactly this catalog.
Test Your R&B Missing-You Knowledge
0/3Play the clip: which R&B artist recorded this 2003 missing-you staple that still anchors Grammy-stage tributes today?
Play the clip: this artist co-fronted a tribute single that spent 11 weeks at No. 1 — who is she?
Play the clip: which soul legend's posthumous chart-topping longing song still outlasts this quieter deep cut in rotation?
The Generic Playlist Trap
Search "songs about missing someone" and most results are mood-board playlists that put a 1964 Dionne Warwick single and a 2021 Olivia Rodrigo chart record side by side with zero chart data attached. That's the trap: emotional tone is not the same thing as commercial or cultural impact, and a song can feel timeless while having charted modestly, or feel dated while having dominated its era. The peak-plus-longevity table above is built to resist that flattening: the difference between a song that sounds like it belongs on every missing-you playlist and one that's actually still being played. For a similar data-first approach to another emotional theme, see our ranking of the 40 best love songs of all time.
Genre Quiz
Think you know R&B / Soul?
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Frequently asked questions
Which missing-you song spent the most weeks at No. 1?
Boyz II Men and Mariah Carey's "One Sweet Day" logged 16 weeks at No. 1 in 1995, the longest run on this list. Whitney Houston's "I Will Always Love You" (14 weeks), Boyz II Men's own "End of the Road" (13 weeks), Toni Braxton's "Un-Break My Heart" (11 weeks), and Puff Daddy, Faith Evans & 112's "I'll Be Missing You" (11 weeks) are the only other songs in the ranking to clear double digits.
Was "Nothing Compares 2 U" originally written for Sinéad O'Connor?
No. It was written and first recorded by Prince for his 1985 side project The Family, and wasn't released as a single. O'Connor recorded a slower, grief-inflected version for her 1990 album that became her only US Top 40 hit.
Why do R&B and soul songs dominate the upper half of this ranking?
Soul and R&B ballads from Otis Redding, Boyz II Men, Toni Braxton, and Faith Evans combine vocal-first production with chart runs that lasted weeks or months at No. 1, which keeps them in active radio and streaming rotation decades later.
Is Olivia Rodrigo's "drivers license" really comparable to '90s chart-toppers?
By the numbers, yes. It spent eight weeks at No. 1 on the Hot 100, hit No. 1 in 25 countries, is six-times Platinum, and has passed 2.8 billion Spotify streams, enough chart and streaming weight to land it in this ranking's top five alongside Whitney Houston and Boyz II Men.
Sources
- On the Charts 37 Years Ago, This Irish Crooner Started a Four-Week Run at No. 1 With a Legendary Prince Cover — American Songwriter
- 1992 Hit 'End of the Road', Originally Written For a Popular Movie, Spent 13 Weeks at No. 1 — Yahoo Entertainment
- Drivers License (song) — Wikipedia
- Official Chart Flashback 2011: Adele - Someone Like You — Official Charts Company
- Toni Braxton's 'Un-Break My Heart' Made Billboard History with 11 Weeks at No. 1 — Yahoo Entertainment



